"Lec 6 - The New Criticism and Other Western Formalisms" Introduction to Theory of Literature (ENGL 300) In this second lecture on formalism, Professor Paul Fry begins by exploring the implications of Wimsatt and Beardsley's theory of literary interpretation by applying them to Yeats's "Lapis Lazuli." He then maps the development of Anglo-American formalism from Modernist literature to the American and British academies. Some time is spent examining the similarities and differences between the works of I. A. Richards and his protegé, William Empson. The lecture finally turns to a discussion of Cleanth Brooks's conception of unity. 00:00 - Chapter 1. Yeats' "Lapis Lazuli" and Tony the Tow Truck 07:18 - Chapter 2. The New Criticism: Modernist and Academic Contexts 13:44 - Chapter 3. Earlier Close Readers: I. A. Richards 24:27 - Chapter 4. Earlier Close Readers: William Empson 37:50 - Chapter 5. Brooks and the "Implications of "Unity" Complete course materials are available at the Open Yale Courses website: http://open.yale.edu/courses This course was recorded in Spring 2009.
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Tags: formalism philology Modernism autonomous art ambiguity irony paradox unity Yeats Wordsworth Macbeth
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This video is a part of a lecture series from of Yale
Lec 1 - Introduction - Introduction to Theory of Literature
Lec 3 - Ways In and Out of the Hermeneutic Circle
Lec 5 - The Idea of the Autonomous Artwork
Lec 8 - Semiotics and Structuralism
Lec 9 - Linguistics and Literature
Lec 13 - Jacques Lacan in Theory
Lec 15 - The Postmodern Psyche
Lec 16 - The Social Permeability of Reader and Text
Lec 17 - The Frankfurt School of Critical Theory
Lec 18 - The Political Unconscious
Lec 20 - The Classical Feminist Tradition
Lec 21 - African-American Criticism
Lec 22 - Post-Colonial Criticism
Lec 23 - Queer Theory and Gender Performativity
Lec 24 - The Institutional Construction of Literary Study