Course: MIT 24.213 Philosophy of Film, Fall 2004 Dnatube
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Lec 1- MIT 24.213 Philosophy of Film
Lec 1- MIT 24.213 Philosophy of Film. Session 1: syllabus and course requirements, philosophy and film, student introductions, the humanist philosopher, Jean Cocteau, film as cultural communication, readings for the course, meaning and technique are inseparable View the complete course: http://ocw.mit.edu/24-213F04 License: Creative Commons BY-NC-SA More information at...
Lec 2- MIT 24.213 Philosophy of Film
Lec 2- MIT 24.213 Philosophy of Film. Session 2: why study film?, realism and formalism, mathematics as an abstract art form, film and photography, Beauty and the Beast, Cocteau, Citizen Kane View the complete course: http://ocw.mit.edu/24-213F04 License: Creative Commons BY-NC-SA More information at http://ocw.mit.edu/terms More courses at http://ocw.mit.edu
Lec 3- MIT 24.213 Philosophy of Film
Lec 3- MIT 24.213 Philosophy of Film. Session 3: Beauty and the Beast, William James, Citizen Kane View the complete course: http://ocw.mit.edu/24-213F04 License: Creative Commons BY-NC-SA More information at http://ocw.mit.edu/terms More courses at http://ocw.mit.edu
Lec 4- MIT 24.213 Philosophy of Film
Lec 4- MIT 24.213 Philosophy of Film. Session 4: Orson Welles, The Dead, The Magnificent Ambersons, expectations for student papers View the complete course: http://ocw.mit.edu/24-213F04 License: Creative Commons BY-NC-SA More information at http://ocw.mit.edu/terms More courses at http://ocw.mit.edu
MIT 24.213 Philosophy of Film, Fall 2004
Source of these courses is MIT
This course is a seminar on the philosophical analysis of film art, with an emphasis on the ways in which it creates meaning through techniques that define a formal structure. There is a particular focus on aesthetic problems about appearance and reality, literary and visual effects, communication and alienation through film technology.
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COURSE NAME: MIT 24.213 Philosophy of Film, Fall 2004