Course: MIT 4.370 Interrogative Design Workshop, Fall 2005 Dnatube
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Lec 1- MIT 4.370 Interrogative Design Wo ...
Lec 1- MIT 4.370 Interrogative Design Workshop. Session 7: Vito Acconci Studio View the complete course at: http://ocw.mit.edu/4-370F05 License: Creative Commons BY-NC-SA More information at http://ocw.mit.edu/terms More courses at http://ocw.mit.edu
Lec 2- MIT 4.370 Interrogative Design Wo ...
Lec 2- MIT 4.370 Interrogative Design Workshop. Session 16: Pia Lindman View the complete course at: http://ocw.mit.edu/4-370F05 License: Creative Commons BY-NC-SA More information at http://ocw.mit.edu/terms More courses at http://ocw.mit.edu
Lec 3- MIT 4.370 Interrogative Design Wo ...
Lec 3- MIT 4.370 Interrogative Design Workshop. Session 20: Judith Barry View the complete course at: http://ocw.mit.edu/4-370F05 License: Creative Commons BY-NC-SA More information at http://ocw.mit.edu/terms More courses at http://ocw.mit.edu
Lec 4- MIT 4.370 Interrogative Design Wo ...
Lec 4- MIT 4.370 Interrogative Design Workshop, Fall 2005. Simon Starling, March 9, 2006 View the complete course at: http://ocw.mit.edu/4-370F05 License: Creative Commons BY-NC-SA More information at http://ocw.mit.edu/terms More courses at http://ocw.mit.edu
MIT 4.370 Interrogative Design Workshop, Fall 2005
Source of these courses is MIT
"Parrhesia" was an Athenian right to frank and open speaking, the right that, like the First Amendment, demands a "fearless speaker" who must challenge political powers with criticism and unsolicited advice. Can designer and artist respond today to such a democratic call and demand? Is it possible to do so despite the (increasing) restrictions imposed on our liberties today? Can the designer or public artist operate as a proactive "parrhesiatic" agent and contribute to the protection, developmen
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COURSE NAME: MIT 4.370 Interrogative Design Workshop, Fall 2005